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Tuesday, March 29, 2011

Cohn Drennan Contemporary - New Gallery Showing

Christoper Olivier's digital photo, Lofty, is featured on the cover of the Spring/Summer 2011 Houston Visitor's Guide (below).  Congratulations to Christopher and thanks to those of you who voted for his piece to represent the Houston art scene.  Come see more of Christopher's work at the gallery next weekend for the opening reception of the exhibition, dig.it.al.  Richard Dana and Lanny Quarles will also be exhibiting in the show.  See you Saturday, April 2nd, 6:00 - 8:00 pm. 


Sword Bought for Royal Marines Museum in Time for Battle Anniversary



PORTSMOUTH.- The Royal Marines Museum in Portsmouth has acquired an important presentation sword 200 years after the Battle it commemorates. The steel sword was presented to Captain Robert Torrens following the Battle for Anholt on 27 March 1811. Thanks to a major grant from the Art Fund, the rare item was bought at auction and has gone on display in time for the Battle’s 200th anniversary.

The sword was bought at auction for £27,170, of which the Art Fund, the national fundraising charity for works of art, contributed £25,170. It has gone on display with two other presentation swords awarded for the Battle for Anholt.

Following the Battle on 27 March 1811, Robert Torrens was given the commemorative sword by the Non Commissioned Officers and men who served under him as a token of their ‘admiration of his bravery’ and ‘gratitude for his consideration for their comfort and happiness’. The sword was made by Henry Tatham and measures 79cm in length.

The sword’s decoration depicts nautical themes including Hercules illustrated on the silver inlaid grip. The Royal Marines captured the Danish island of Anholt in 1809 to use as a strategic island to protect trade in the Baltic. The Danish tried to recapture the island in 1811 and the Royal Marine Garrison, under Captain Robert Torrens, managed to repel the attack with heavy losses suffered by the Danish.

This is an important addition to an existing group of material relating to the Battle for Anholt and Torrens in the Museum.

Ian Maine, Curator of the Royal Marines Museum said “These swords are a tangible reminder of the bonds formed between officers and men in time of war, and it is especially fitting that we have managed to re-unite the swords in time for the 200th anniversary of the Defence of Anholt”.

Stephen Deuchar, Director of the Art Fund, said: “This sword gives a flavour of the drama of the historic battle and the grandeur of Britain’s Royal Marines at the time. Displayed with the other swords, it will help people gain a picture of Robert Torrens and his place in our history. We’re thrilled to have helped make this timely acquisition possible – and we thank all our members and supporters, without whom we wouldn’t have been able to give such a substantial grant.”

The Museum holds the sword awarded to Captain Maurice and the two awarded to Captain Torrens. These swords represent the Royal Marines claim for identity and honour in recognition for military victory. As a result of the Battle for Anholt, the Royal Marines won many supporters among senior naval officers which helped to further their cause for fairness in terms of service and officers promotion.

Torrens was born in Ireland, and joined the Royal Marines on 1 February 1796 as a second lieutenant and served in the Channel Fleet and ocean convoys. He was an inveterate publicist and prolific writer of controversial material designed to challenge the political and economic policies which he believed were threats to Britain's greatness.

In 1821 Torrens helped to found the Political Economy Club and became a proprietor of the Whig Traveller, with which the Globe was later combined. Torrens relocated to Australia and was a chief influence on the promotion of emigration. He was instrumental in the founding of Adelaide where the Torrens Park and Torrens River are named after him. In 1817 he advocated reducing the Irish poor rates by emigration to Australia, for which he won wide repute. In the 1840s he also helped to reform companies to mine copper and build railways in South Australia. He died on 27 May 1864 in London.

200 years after the Battle for Anholt the Danish are deploying their Battalion as part of the Task Force Helmand and will be fighting alongside the Royal Marines 3 Commando Brigade in Afghanistan.

AXA Sponsers Collectors' Forum at Dallas Art Fair

ADAA Collectors' Forums on the Road to Dallas
The Art Dealers' Association of America is  taking their popular Collectors' Forum panels on the road. The upcoming panel, " Art Fair Power: How Art Fairs Influence a Market and a Region," will be held on April 9th at the Dallas Art Fair.  Moderated by Jeremy Strick, Director of the Nasher Sculpture Center , the panelist include:
  • Anthony Meier, Owner, Anthony Meier Fine Arts
  • James Cohan, Owner, James Cohan Gallery, Co-founder, VIP Art Fair
  • Chris Byrne, Co-founder, Dallas Art Fair
  • Michael Auping, Chief Curator, the Modern Art Museum of Fort Worth
  • Talley Dunn, Co-owner, Dunn and Brown Contemporary 
Image: Robyn O'Neil; On Sorrow, 2009; Graphite on paper; 60 x 60 inches.  Image courtesy of Dunn and Brown Contemporary.

Tuesday, March 8, 2011

Cohn Drennan Gallery

Check out the current showing at the Cohn Drennan Gallery

earth.water
Opening Reception February 19, 2011, 6:00 – 8:00 pm
Exhibition dates:  February 19 – March 26, 2011
earth.water features the similarities and interplay of two artists, Janis Goodman and Steve Hilton, who examine the anomalies and consistencies of environmental activity. Both artists are professors, and both bring observations direct from nature to their respective disciplines.


Steve Hilton is a ceramic artist and professor at Midwestern State University in Wichita Falls, TX. His background in science as a geologist is particularly evident in the floor installations he has created from thousands of fired ceramic pieces he uses to configure miniature landscapes in museum installations across the country. In this exhibition, Steve will also present his newest wall installations that were featured at his solo exhibition, A Question of Time, at the Fort Worth Community Art Center in 2010.
Janis Goodman is a professor of fine art at the Corcoran School of Art + Design and a critic for PBS/WETA in Washington, DC. Her paintings and drawings represent her travels studying the interchange of water and its energy from Maine to the West Coast. Janis has had solo museum exhibitions on every continent and her work is actively collected in Europe and the US.  Please join us in welcoming the artists to Dallas at the opening reception of the exhibition.

http://www.cohndrennancontemporary.com/

Kirk Hopper Fine Art - New Location and Gallery

Check out the new location of the former HCG Gallery now Kirk Hopper Fine Art.

Kirk Hopper Fine Art3008 Commerce Street
Dallas, Texas 75226
214-760-9230

Hours of operation
Tuesday through Saturday, 2:00 to 6:00 pm

The Current Show:
Mac Whitney: Painting and sculpture
Extended show dates: February 19-April 9, 2011

Mac Whitney's work has been selected as the inaugural exhibition of Kirk Hopper Fine Art, a new gallery at 3008 Commerce Street in Dallas. Hopper spearheaded HCG Gallery in the Design District for the past three years and is known for putting up some of Dallas' most impressive and imaginative exhibitions. Now, he's not only moving from the perceived center of Dallas galleries on Dragon Street, he's relocating to a new venue he designed himself where he plans to show both cutting-edge young artists and established veterans.
Whitney's work has been collected by a host of museums, including the Dallas Museum of Art. Hopper said, "Some of Whitney's pieces are massive in scale. In fact, we're having them brought in with a crane. The largest will be displayed in the open air courtyard."
 
 
 
Brazoria (in foreground)
2001
Welded steel
110" x 43" x 70"
 
 
Link 82
2010
Oil on canvas
52" x 42"

 
About his own work, Whitney says, "Starting in 1969, most of my career has been spent working in the Dallas Area. I have worked and shown in Berlin, and have shown large-scale sculpture at the Corcoran Gallery in Washington, D.C. I constructed a fifty-foot-tall sculpture for the City of Houston and, over the years, have constructed a number of large-scale sculptures that are in the Dallas area and California. The Dallas Museum of Art has one in its permanent collection, and another is on loan to the Nasher.
"In this show, there is a sample of the acrylic sculptures which were cast between 1973 and 1980; these demonstrate the use of opaque color in a clear environment. The stainless steel wall reliefs are from 1987-1990. These welded constructions were made from plasma cut, stainless plate.
"In my oil painting, there is a back and forth between the painting and the sculpture. They inform each other. My painting is about fragmented or deconstructed sculpture.
"In the last few years, I have been using links to make sculpture. The links are made of steel, stainless steel, or bronze. When put together, these links make a chain which can become large; some are forty feet tall, and some are kinetic."
http://www.kirkhopperfineart.com/

Monday, March 7, 2011

Walk on Water at the AXA Art Lounge during TEFAF 2011

Image courtesy of the CRCC.
Special Presentation tackles Moisture, Mold and Humidity Damages

Maastricht – February 9, 2011 – When The European Fine Art Fair (TEFAF) opens its doors on March 18th, thousands of international collectors and art world luminaries will attend Europe’s leading art market event in search of quality works of art – from masterpieces, antiquities and rarities to selections from the Fair’s newly introduced section of works on paper. Over the past 24 years, TEFAF has built and continues to reinforce a strong reputation for presenting the very finest and desirable works of art. 

2011 marks the eighth year of AXA Art’s support as Principal Sponsor of TEFAF. In line with its tradition, the specialist insurer will collaborate with experts from the art world to curate a themed presentation at its Lounge during the Fair. Visitors to the AXA Art Lounge at TEFAF will be invited to “walk on water” while being introduced to scenarios that document how humidity, moisture and mold can dramatically impact the condition of collected art & artifacts.  The demonstration will especially focus on preventative maintenance for works on paper and fine art photography.

Dr. Ulrich Guntram, CEO of AXA Art’s global operations, emphasized the company’s commitment to being an available resource to the art community, commenting, “We are pleased to work with Musée de Design et d’Arts Appliqués Contemporains (MUDAC) of Lausanne and the 2010 Recipient of the AXA Art Research Grant, Centre de Recherche sur la Conservation des Collections (CRCC) of Paris to develop the unique “Walk on Water” demonstration at the AXA Art Lounge during TEFAF.

A recent introduction among TEFAF’s offerings, works on paper represent some of the most important prints, drawings, and photographs that document significant cultural and social milestones in our history. Additionally, elements of design are increasingly being noted among the growing collectibles category. “Our goal is to provide collectors with engaging experiences that help to heighten awareness on safeguarding the longevity and value of their cultural heirlooms”, Dr. Guntram concluded.

The TEFAF/AXA Art co-operation has proven to be a mutually rewarding partnership. Both organizations bring deep understanding of the intrinsic cultural value of art and collectibles to the relationship. And, while TEFAF is recognized as the premier art destination for collectors seeking quality and authenticity, AXA Art augments its affiliation with innovative ways to engage and inform discerning collectors, by making available access to expertise in specialist insurance, risk prevention, preventative conservation, recovery and restoration.
CONFERENCES AND TALKS

Friday, March 18th 2011, 12:00 p.m.Members of the international media are invited to ‘Walk on Water’ during a media reception at the AXA Art Lounge.
Refreshments will be served.

Monday, March 21st 2011, 3:00 p.m.
Conference examines Preserving Fine Art Photography
MECC Café – 1st Floor at the MECC Centre
Speakers include:
  • Bertrand LavédrineDirector of the CRCC, Centre de Recherche sur la Conservation des Collections, Paris, France
    ‘Preserving while exhibiting photographs: new challenges'
  • Gaël de GuichenAdvisor to the Director General of ICCROM, International Centre for the Study of the Preservation and Restoration of Cultural Property, Rome, Italy‘A few suggestions to protect works of art against light damage’
  • Paul MessierConservator of Photographs in Private Practice, Boston, Massachusetts, USA'Investigating photographic materials and techniques: Man Ray’s Le Violon d'Ingres'
 
RSVP:
To Susanne Kelmessusanne.kelmes@bluewin.ch  

World's Most Expensive Painting

LONDON (AFP) – Pablo Picasso's "Nu au Plateau de Sculpteur" ("Nude, Green Leaves and Bust"), the world's most expensive painting, was to go on display Monday for the first time in Britain at London's Tate Modern museum.
The 1932 painting set a world record when it was snapped up by a mystery bidder for 106.5 million dollars (76.2 million euros) at New York's Christie's auction house last May.
It will be the first time the painting has been displayed anywhere since 1961 and prompted the famous London museum to create a new Pablo Picasso room to house the loaned work.
"This is an outstanding painting by Picasso and I am delighted that through the generosity of the lender we are able to bring it to the British public for the first time," said Nicholas Serota, the museum's director.
The painting depicts the Spanish artist's lover and muse, Marie-Therese Walter, lying nude with the painter looking on.
Picasso met Walter when he was 45 and she was 17 outside the Galeries Lafayette in Paris in 1927, while he was still married to Olga Khoklova.